Grand Horizons

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Date Reviewed: 17/11/2024

The name “Grand Horizons” evokes an image of expansive possibilities, a bright future, and a world of untapped potential. It suggests a place where grand things await, a sense of hope and excitement about what lies ahead. In the context of the play, however, this promise is ironically deflated. The “Grand Horizon” is revealed to be not a metaphor for limitless opportunities but rather the confines of a retirement village.

From the very first curtain rise, director Jason Darlington expertly transports the audience into a space that is reminiscent of a sitcom, with musical tunes such as “Love and Marriage” from the TV show “Married with Children”, setting up the scene perfectly. The story is indeed about a married couple with children, only in this tale Nancy decides one day that she wants to divorce Bill, while their two grown up children come to the “rescue” by trying to stop the divorce from happening.

The children’s behaviour is somewhat sitcom-like, with over-the-top acting and facial expressions. Both are oblivious to their parents’ true nature: no matter how many times they ask what the reason for the divorce could possibly be, they never stop to actually let them answer and instead continue on their own trajectory.

 

It is deep into Act One when we finally hear from Nancy about her rather superficial marriage to Bill. Her confession of long-held desires for an old high school crush feels like a tipping point. It’s here, deep into Act One, that the play shifts gears from sitcom-style comedy to something more poignant, building toward a climactic moment where the walls of the retirement unit—quite literally—come crashing down. This marks the moment when “Grand Horizons” takes a profound turn, offering a raw and vulnerable exploration of the emotional truths that have been buried for decades.

Act Two is the standout, with Nancy’s meeting with Bill’s new girlfriend serving as an acting high point. The final confrontation between Bill and Nancy is both explosive and deeply revealing, a gut-wrenching moment where both characters come to realize how much they’ve actually known about each other’s desires all along. 

In his directorial debut at the Castle Hill Pavilion, Darlington wisely lets the seasoned actors take centre stage, and it’s their performances that resonate most strongly. “Grand Horizons” blends comedy with pathos in a way that’s both funny and cringeworthy, ultimately leaving the audience with a bittersweet sense of reflection on life’s fleeting promises and the often-unspoken truths we carry with us.

Grand Horizons is running from 15 Nov – 7 Dec.

To book your tickets, please visit https://paviliontheatre.org.au/grandhorizons/

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